Cultural Preservation in Slow Fashion
Conscious fashion, a pivotal aspect of slow living is a respite to the world of glamour. The article delves into the narratives of homegrown Indian fashion and lifestyle labels such as Patch over Patch and Nicobar, alongside London-based Szabo Sihag, which honours Indian craftsmanship, and other notable UK-based brands like Martine Rose and Gbadebo.

Slow living is a philosophy centred around a mindful way of life, focusing on simplicity and fulfilling the purpose of one’s existence.
India is a contrast of bustling cities and serene rural landscapes, where traffic jams and crowded streets are unavoidable. Through the embrace of slow living principles the people can cultivate a sense of balance, fulfilment and strengthen the connection with themselves, their communities, and the world around them.
Economically, slow living principles often lead to more conscious consumption patterns, which can result in reduced spending and increased savings. A study published in The Journal of Consumer Research in July 2019 found that individuals who prioritise experiences over material possessions report greater happiness and life satisfaction, indicating that slow living can contribute to overall well-being while minimising the emphasis on consumerism.
In recent years, there has been a notable shift in the fashion industry's landscape. Slow fashion, an integral part of slow living, is steadily gaining ground over its fast fashion model, characterised by its rapid production cycles and low-cost, disposable garments, has been criticised for its contribution to pollution, resource depletion, and unethical labour practices.
On the other hand, slow fashion is about prioritising quality over quantity and patronising local artisans, which contributes to economic empowerment at the grassroot level in India. This is exemplified by initiatives such as Sustainable Fashion and Indian Textiles (SUIT), which promotes traditional craftsmanship and ethical production practices. As a result, it opens up economic opportunities for small-scale artisans and weavers, thereby strengthening local economies.
Patch Over Patch, founded by Kavisha Parikh, emerges as a beacon of conscious fashion, deeply rooted in India's rich heritage of craftsmanship and textile traditions. Her motto ‘Know your rhythm’ emphasises upon the unique pace and cycle of work zones. Through innovative upcycling techniques and a commitment to ethical practices, the brand transforms textile leftovers into meticulously crafted garments, preserving the cultural legacy of craft clusters in Surat and Ahmedabad.
"As conscious consumers, we are increasingly realising that our choices have power, not just in shaping our personal style, but also in shaping the world around us. Slow fashion isn't just a trend; it's a movement towards sustainability, ethics, and individuality. By supporting brands like Patch over Patch, we are not just buying clothes; we are investing in a vision of fashion that respects our planet and celebrates creativity." says, Parikh. Kavisha has actively pursued an understanding of sustainable fashion theory and practices, which she naturally gravitates towards.
She explains, "upcycling is my creative sanctuary, where I enjoy experimenting with various materials. The textures, colours, and shapes of surplus or unused industrial fabrics inspire me to create unique patterns, blending clear-linear and curve-geometric designs.”
In an era marked by heightened environmental consciousness, minimalism, timeless pieces, and capsule wardrobes are yet another way to foster a more sustainable and mindful approach to dressing. By curating a collection with versatile, high-quality garments that transcend trends will not only give one some fashion credit, it will also work out better for the planet.
As stated in an article by Vogue India titled ‘Vogue’s guide to building a mindful wardrobe and shopping consciously’ “Less is more is the motto of minimalism and it works wonders in the world of fashion. Rather than quantity, focus on quality. There’s a reason why minimalism never goes out of fashion."
Nicobar, an ethical fashion and lifestyle brand exudes traditional aspects and a seamless blend of heritage and contemporary design. With a focus on minimalism and thoughtful living, Nicobar invites their customers to explore a world where simplicity reigns supreme. From clothing to homeware, each piece is crafted with care, with subtle details and timeless designs.
"At Nicobar, we're dedicated to creating products that not only embody timelessness but also reflect our commitment to sustainability and conscious choices. Our fabrics are sourced responsibly, often utilising natural fibres and innovative sustainable materials. Similarly, our jewellery pieces are crafted with ethically sourced materials, ensuring both beauty and conscience. And when it comes to homeware, we prioritise functionality and aesthetic appeal, using eco-conscious materials that harmonise with any living space.” conveys, Nayana Sethi, Sourcing and Product Development, at Nicobar Design Delhi.
According to The State of Fashion 2024 Report, consumers all around the world are becoming more educated about the social and environmental implications of their clothing choices, they are increasingly seeking out brands that align with their values of sustainability and ethical production.
The London-based label Szabo Sihag emerges as a shining example of the intersection between slow fashion, sustainability, and cultural preservation. With a keen eye for the beauty and elegance of Indian culture, each piece in their womenswear collection is meticulously crafted to capture an exotic and playful spirit, offering a fresh perspective on India's rich heritage.
What sets Szabo Sihag apart is its unwavering commitment to cultural and environmental preservation, which lies at the heart of its ethos. By exclusively collaborating with artisans and small-scale manufacturers in both the UK and India, the brand not only celebrates traditional craftsmanship but also supports local communities. Moreover, Szabo Sihag's zero-waste policy creatively incorporates leftover fabrics and recycled materials into their designs, reflecting a dedication to sustainability and responsible production practices.
Moreover the UK unveils a dynamic network of mindful consumers and pioneering brands. Emphasising on sustainability, ethical manufacturing, and cultural heritage as multi-faceted instruments to actively engage consumers with slow fashion brands. Brand identity and values are part of a storytelling that draws consumers attention to clothes that hold a profound meaning. Luxury British streetwear brands Martine Rose and Gbadebo emphasis on scaling their brand to establish a value chain of slow fashion.
These brands deploy cultural heritage to create new products, bringing attention to craftsmanship and artisan collaborations. Pricing strategy plays a significant role for perceiving slow fashion within the British consumers as well. The higher price point is perceived as a manifestation of organic resources, and craftsmanship towards high quality.
Martine Rose’s continuous experimentation with the 1990s rave subculture from her own curiosity merged loose-fitting garments to create an aesthetic for menswear in 2007 with her eponymous brand would prevail for decades to come. The brand developed an authentic narrative over the last decades by consistently working with the homegrown designers. Martine Rose’s design remains at the centre of minimalism, and design through social commentary on the communities.
The capsule collection showcased people in isolated moments, being together, out in nature and living life. Collaborating with Clarks in SS24 on 100% recycled puffy leather and nylon is momentous for Rose’s signature loafer shoes and loungewear. Marking their understanding and tremendous consciousness in the British fashion community for sustainability.
Similarly, an emerging slow fashion brand, Gbadebo uses upcycling and recycling techniques to expand her brand through the eCommerce platforms. She alludes to the Nigerian culture, eco-friendly materials, and techniques at the heart of the brand’s sustainable practices. By remaining true to her influence, she launched her brand in 2020 during the pandemic by collecting unusable materials from the neighbours to create clothes. Her initiatives resurged demand for upcycled clothes on the fashion circular platform Depop.
While Gbadebo had to kickstart their brand with ecological impact in mind, Martine Rose successfully laid out a blueprint for emerging brands in slow fashion. These two brands are well known for their poignant actions for cultural heritage and ecological sustainability. By positioning their brand values from early-on with authenticity, Martine Rose and Gbadebo triumphs sustainability in slow fashion.
Through understanding the intricate tapestry of the global fashion industry of both India and UK, slow fashion is indeed a blend of tradition, innovation, and sustainability. In both India and the UK, the ethos of slow fashion resonates with a growing movement towards capsule wardrobes, minimalism, and timeless clothing, each piece tells a story of mindful consumption.
Through conscious choices and appreciation for local artisans and small-scale manufacturers, slow fashion becomes a catalyst for change, and redefining the fashion landscape. As we continue to navigate the ever-evolving world of fashion, it is true fashion transcends trends—it is a reflection of our values, our culture, and our commitment to leaving a positive impact on the world we inhabit.

Up-cycled garment by patch over patch
Up-cycled garment by patch over patch

Nicobar, a modern Indian way of living, dressing, and looking at the world
Nicobar, a modern Indian way of living, dressing, and looking at the world

Each piece is lovingly crafted to capture an exotic and playful spirit, while also bringing a unique perspective on India’s rich heritage.
Each piece is lovingly crafted to capture an exotic and playful spirit, while also bringing a unique perspective on India’s rich heritage.

Martine Rose SS 19
Martine Rose SS 19
Legacy of Cultural Heritage for Sustainability in Slow Fashion
Manchester is a sanctuary to idiosyncratic designers and artisans where craftsmanship and cultural heritage is at the front row for fashion sustainability. Christelle Monini McDuthu symbolises cultural heritage in her craftsmanship and visual design. Gritty in nature, level-headed personality, and high spirited, she is through thick and thin a real Mancunian. She sat down with me for an interview on “Legacy of Cultural Heritage for Sustainability in Slow Fashion”.
By Student of Manchester Metropolitan University (Shafayet Ullah Fahad)
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Fahad: Good evening, Christelle. Appreciate you for making time from your busy schedule. Let's begin talking about your background in fine arts painting and inspiration for your brand McDuthu?
Christelle: Hi, thank you for the invitation. I'm a fashion designer, visual artist, and a fine arts painter. I launched my brand in 2020 after my master’s degree in Fashion Design Technology. My inspiration comes from nature. As a visual artist and fashion designer who graduated in fashion art direction. I am always working on developing my knowledge and skills. To establish my understanding of science, and ecology in fine arts.
Fahad: How did Mondrian's painting become part of your brand identity?
Christelle: I I love Mondrian because it comes from Bauhaus. Which is a movement of the fine arts from Germany and in its heart focuses on understanding of functionality in architecture and design. I am inspired by Mondrian because I can develop my own geometrics pattern and shape in designing clothes.
Fahad: Do you have a process for resourcing organic materials for sustainability?
Christelle: Yes, during my my graduation year in fashion technology and art direction, we had an opportunity to visit Germany to see sustainability fashion tech. So, during those seven days, it was a very enriching moment where we were able to make connections with all the sustainable focused companies. My process of sustainability is adding new to old. So, what I do is as a fine arts painter, visual artist, and designer. I make direct paintings to be printed onto sustainable materials such as organic fabrics. This fabric comes from one of the few French companies in the world that makes organic fabric from scrap because they harvest their own cottons. I also collect sustainable materials from Germany. Allowing me to integrate sustainable materials and lots of organic fabric in my design process.
Fahad: So, this brings my next question about the production challenges. Do you share your process with organic materials and using embroidery in clothes?
Christelle: Yeah. The challenge is to connect with a manufacturing company, because once you connect with the manufacturers you can incorporate sustainable materials for your product line. They are always working with new materials, and developing fabrics, vegan leather that is eco-friendly, for example- shoes. When I graduated in 2020, I was fortunate to register right way with a sustainable manufacturing company. They would send me samples. I would choose from those samples and send my designs to be transferred onto the materials. The process is different when I am making geometric patterns with my Mondrian dresses, because it’s a plain organic fabric. But products like denim, or handbag because I have handbags, belts, shoes, and all the accessories. For the sustainability process, I collect old jeans because we want to reduce waste. So, I recycle old jeans, by remaking them with new fabrics, to give life to old jeans. But to give life to old jeans and make it look unique. I begin working with the new fabric, designing, painting, printing, and then customisation with embroidery for that original look. So, I add these new elements to give it a new life. This is my approach to sustainability.
Fahad: Before I move to the next question, I want to discuss a little more about this, a lot of brands early-on struggle to develop a partnership with their manufacturer. But you didn't have any problems with partnering with a manufacturer for sustainable fabrics.
Christelle: Yeah, I didn't have any problem because I created my brand by beginning to design for companies with business to business (B2B) model, not to customers. Yeah, my thing was to design for people who wanted their own brand. So, by looking at their brand values and cultural heritage I would design their brand identity. My process would continue by moving onto selecting sample fabrics, with different styles of fabric to develop a brand identity for the collection. Then designing prototypes for the final collection. I would create 25 designs for the collection, as a visual artist I can see the brand vision and how to build a campaign narrative for the collections.
Fahad: Alright. Earlier you were talking about modifying designs, from old to new designs. Do you have a design archive that you would like to go back for making new collections.
Christelle: Yeah. To put together a new piece, it depends on many things. Maybe a new handbag with leather. If it's leather, we take apart an old leather jacket which we reconstruct to make a new handbag. By adding brand heritage by customisation, printing on leather. In this case, the handbag becomes an original piece of work.
Fahad: Hmm. What do you think the different demand between upcycling and customised product with new fabrics. Is there an obvious choice among the customers?
Christelle: Yeah, the denim fabrics, the customer like it a lot in upcycling and recycling process. But it depends if, for example, African culture, they might want to go for circularity by mixing denim fabric with African fabric. Or mix leather with African fabric. So, what I do as a fashion designer and a visual artist I prefer to design & paint onto the new fabrics. I buy plain fabrics then draw it, paint it, print it. By adding sustainable features to my design process for longevity.
Fahad: So, you merge craftsmanship with fine arts painting in fashion. So where is your ideal customer? Is it local or overseas?
Christelle: It’s both, international. Because when I graduated, I create a market with art and fashion. Yeah, I began targeting people with low income, because it is not possible for everyone to buy a Mondrian dress. So, I have a B2B design services that I offer to small companies. At the same time, keeping a balance of art and fashion for wearability, yeah.
Fahad: How much does a Mondrian dress cost?
Christelle: Yes, the little dress in my shop costs £150. The Mondrian dress, it takes time to design. You have to respect the pattern, it’s easy for me to paint on the printed fabric. But when it comes to cutting a pattern, sewing, and fitting; the process is very lengthy and requires patience and craftsmanship.
Fahad: Couldn’t agree more. How do you evolve with slow fashion and your customer’s expectation for sustainability?
Christelle: Slow fashion is ready to wear, customisable and unique to each individual’s style and personality. I, as an art and fashion designer, have to consider multiple factors before I make a collection. What would I paint onto fabrics? And laser cutting, printing on fabrics. I also have to think about my own style, because I am inspired by architecture, I can create various geometric designs as a wearable art. So, the process for slow fashion is very demanding but it’s worth it.
Fahad: Who do you want to collaborate with in sustainable fashion?
Christelle: Yeah. Iris Van Herpen, I love her. She can create a dress from water. She gets inspiration from everywhere to create her design. She merges art in fashion. She inspired me a lot when I was studying Fashion Art Direction. I am also very inspired by Alexander McQueen and Dior.
Fahad: Of course. Do you have any advice for any emerging heritage brand that is focusing on slow fashion? How can they survive financially when they're starting?
Christelle: Slow fashion is very difficult. Going with the trends every three months is not sustainable, fast fashion brands have factories in China and it’s not made in UK. What I make is crafted by hands.
Fahad: Okay, to interrupt your point I want to say this about the manufacturers in China. I attended Première Vision in February 2024, in the trade exhibitions they put up really really high-quality fabric that the emerging luxury brands are looking forward to integrating into their collections.
Christelle: Yeah, despite the high quality, it’s not sustainable to create organic and hand-crafted garments overseas. Designers would have to go there with their patterns and designs to start a production line. And they would need a lot of money to do that, you can’t start with small capital. To me, sustainability is handcrafted garments.
Fahad: I see what you mean.
Christelle: That's why it's too expensive. So, slow fashion brands have to create their own identity by changing the shape, look and feel of a garment with their own unique process.
Fahad: Your point is coming back to the brand heritage again. More brands need to move away from the fast fashion landscape to create something that is their own and personable and at the same time relatable to their customers.
Christelle: Yeah, brand identity is like a blue sky. You can create a canvas with your own design, and style.
Fahad: When designers are working towards sustainability….
Christelle: They need to do be active with market research about their customers and how to incorporate slow fashion in their brand.
Fahad: Yeah, absolutely. Thank you Christelle for this conversation.
Christelle: You’re welcome. Glad to be a part of it.

Evolving Threads
In a series of snapshots, we witness the effortless grace of a capsule wardrobe as it effortlessly navigates through seasons and occasions. Every piece speaks of understated sophistication. In a world of fleeting trends, these timeless classics stand as a testament to the enduring allure of simplicity and refinement. In this photo story, we try to capture effortlessly chic ensembles against the backdrop of urban sophistication. With each ensemble, the models embody the essence of their culture, blending intricate patterns and vibrant hues with contemporary silhouettes.
Photostory by students of Delhi West (Chinar Gupta & Hargun Kaur)


In a world where trends come and go, we find solace in timeless pieces that resonate with our culture and values. Each garment tells a story of craftsmanship and tradition, woven into the fabric of our heritage.
In a world where trends come and go, we find solace in timeless pieces that resonate with our culture and values. Each garment tells a story of craftsmanship and tradition, woven into the fabric of our heritage.

Here, a woman stands, draped in timeless garments that echo generations of Indian heritage. Her capsule wardrobe, carefully curated with classic pieces, tells a story of elegance and cultural richness.
Here, a woman stands, draped in timeless garments that echo generations of Indian heritage. Her capsule wardrobe, carefully curated with classic pieces, tells a story of elegance and cultural richness.

Inspired by the rich tapestry of Indian heritage, we reimagine classic silhouettes with a contemporary twist. Our attire speaks volumes about our roots, blending the essence of tradition with the flair of today.
Inspired by the rich tapestry of Indian heritage, we reimagine classic silhouettes with a contemporary twist. Our attire speaks volumes about our roots, blending the essence of tradition with the flair of today.

Each piece carefully chosen, each outfit intentionally crafted. This is the essence of a capsule wardrobe – where every item serves a purpose, where quality reigns over quantity.
Each piece carefully chosen, each outfit intentionally crafted. This is the essence of a capsule wardrobe – where every item serves a purpose, where quality reigns over quantity.
Sustainable Sasquatch
This podcast is your one-stop shop for rocking recycled threads and timeless style. We'll show you how slow fashion takes heritage and makes it hot. Think vintage vibes with modern twist, all while saving the planet. Buckle up for interviews with fashion experts, up-cycling tips, and killer looks that'll turn heads. It's time to ditch the trends and embrace your own unique, sustainable style!
By students of Banglore (Sriya Thoppil & Vaishnavi Balakrishnan)

Contributors
Kanggana Malik, Ria Sarin, Chinar Gupta, Hargun Kaur, Sriya Thoppil, Vaishnavi Balakrishnan and Shafayet Ullah Fahad
